/* ===== tokens.css ===== */
/* ==========================================================================
   AVELaunch Books — design tokens
   Source of truth: WEBSITE_DESIGN (Figma), page "Dekstop"
   Handoff document v1.0, 7 September 2026, sections 6 and 7
   No colour value may be written anywhere outside this file.
   ========================================================================== */

:root {
  /* --- 6.2 Primitive palette ------------------------------------------- */
  --rich-black-1:      #0B1424;  /* body text, inverse surfaces, 3px strokes */
  --rich-black-2:      #E8EDF5;
  --rich-black-3:      #C7D2E3;  /* 1px hairline, vertical grid lines       */
  --rich-black-4:      #93A3BD;
  --rich-black-5:      #5D6C86;  /* secondary text                          */
  --rich-black-6:      #08101D;
  --rich-black-7:      #050A14;

  --space-cadet-1:     #1B2A57;
  --space-cadet-2:     #EEF2FA;
  --space-cadet-3:     #CBD6EC;
  --space-cadet-4:     #9BAED3;
  --space-cadet-5:     #657BA8;
  --space-cadet-6:     #142042;
  --space-cadet-7:     #0D162D;

  --vista-blue-1:      #7C9EC7;  /* brand surface                           */
  --vista-blue-2:      #F3F7FC;  /* spelled "Vista Vlue 2" in the file      */
  --vista-blue-3:      #DCE8F5;
  --vista-blue-4:      #B7CBE3;
  --vista-blue-5:      #93B1D3;

  --columbia-blue-1:   #C2E6F9;
  --columbia-blue-2:   #FCFEFF;
  --columbia-blue-3:   #EEF8FD;
  --columbia-blue-4:   #D9EEF9;
  --columbia-blue-5:   #CBE8FA;

  --amber-1:           #F2BB16;
  --amber-2:           #F9E08A;
  --amber-3:           #F7CD52;
  --amber-4:           #E0A800;  /* accent: buttons, underlines, active     */

  --editorial-white-1: #F8F7F4;
  --editorial-white-2: #FFFFFF;
  --editorial-white-3: #FDFBF8;
  --editorial-white-4: #EEEAE3;  /* page background                         */

  /* --- 6.3 Semantic layer ----------------------------------------------
     Reference map from the file. The layout binds to primitives, exactly
     as the Figma layers do, so this layer stays a dictionary of roles.     */
  --surface-page:       var(--editorial-white-4);
  --surface-brand:      var(--vista-blue-1);
  --surface-accent:     var(--amber-4);
  --surface-inverse:    var(--rich-black-1);
  --content-primary:    var(--rich-black-1);
  --content-secondary:  var(--rich-black-5);
  --content-on-inverse: var(--editorial-white-4);
  --content-accent:     var(--amber-4);
  --content-on-accent:  var(--rich-black-1);
  --content-on-brand:   var(--rich-black-1);
  --border-strong:      var(--rich-black-1);   /* 3px */
  --border-hairline:    var(--rich-black-3);   /* 1px */
  --border-accent:      var(--amber-4);        /* 3px */
  --action-fill:        var(--amber-4);
  --action-fill-hover:  rgba(255, 255, 255, 0); /* no fill on hover        */
  --action-border-hover: var(--amber-4);

  /* --- 4.1 Grid ---------------------------------------------------------
     1440 reference · 12 columns · Stretch · margin 50 · gutter 25
     Working area 1340. Column width is derived, never written down.       */
  --layout-reference: 1440px;
  --layout-margin:    50px;
  --layout-gutter:    25px;
  --layout-content:   1340px;
  --layout-floor:     1200px;   /* lower bound of the desktop layout       */

  /* --- 4.1 Vertical lines ----------------------------------------------
     Seven lines, step 180 of 1440 = 12.5 % of the window.
     THIS IS THE ONLY PLACE THE POSITIONS EXIST. Both layers — the page
     layer under the content and the header layer over its blurred
     background — read them from here. Writing them twice is what makes
     the two layers drift apart at the header edge.                        */
  --line-step:  12.5%;
  --line-width: 1px;
  --line-color: var(--rich-black-3);

  /* --- 8 Effects --------------------------------------------------------
     One effect on the whole site: BACKGROUND_BLUR 50 on the header plate. */
  --header-blur: 25px;
  --header-plate: rgb(238 234 227 / 0.75);
  --header-height: 61px;

  /* --- Motion ----------------------------------------------------------- */
  --t-fast: 150ms;
  --t-base: 300ms;
}

/* ===== base.css ===== */
/* ==========================================================================
   AVELaunch Books — fonts, typography scale, grid, vertical lines, layout
   intent tags. Handoff sections 4, 5, 7, 15.
   ========================================================================== */

/* --- 15.1 Fonts. Served from our own domain, never a third party. -------- */
@font-face {
  font-family: "Mulish";
  font-style: normal;
  font-weight: 200 1000;
  font-display: swap;
  src: url("../fonts/mulish-latin-wght-normal.woff2") format("woff2-variations");
  unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA,
    U+02DC, U+0304, U+0308, U+0329, U+2000-206F, U+20AC, U+2122, U+2191, U+2193,
    U+2212, U+2215, U+FEFF, U+FFFD;
}
@font-face {
  font-family: "Mulish";
  font-style: normal;
  font-weight: 200 1000;
  font-display: swap;
  src: url("../fonts/mulish-latin-ext-wght-normal.woff2") format("woff2-variations");
  unicode-range: U+0100-02BA, U+02BD-02C5, U+02C7-02CC, U+02CE-02D7, U+02DD-02FF,
    U+0304, U+0308, U+0329, U+1D00-1DBF, U+1E00-1E9F, U+1EF2-1EFF, U+2020,
    U+20A0-20AB, U+20AD-20C0, U+2113, U+2C60-2C7F, U+A720-A7FF;
}
@font-face {
  font-family: "Mulish";
  font-style: italic;
  font-weight: 200 1000;
  font-display: swap;
  src: url("../fonts/mulish-latin-wght-italic.woff2") format("woff2-variations");
  unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA,
    U+02DC, U+0304, U+0308, U+0329, U+2000-206F, U+20AC, U+2122, U+2191, U+2193,
    U+2212, U+2215, U+FEFF, U+FFFD;
}
@font-face {
  font-family: "Comforter";
  font-style: normal;
  font-weight: 400;
  font-display: swap;
  src: url("../fonts/comforter-latin-400-normal.woff2") format("woff2");
}

/* --- Reset -------------------------------------------------------------- */
*, *::before, *::after { box-sizing: border-box; }

html { -webkit-text-size-adjust: 100%; }

body {
  margin: 0;
  min-width: var(--layout-floor);
  background: var(--surface-page);
  color: var(--content-primary);
  font-family: "Mulish", "Helvetica Neue", Arial, sans-serif;
  font-weight: 400;
  font-size: 15px;
  line-height: normal;
  -webkit-font-smoothing: antialiased;
}

img, svg, video { display: block; max-width: 100%; }
img { height: auto; }

a { color: inherit; text-decoration: none; }

button, input, textarea, select {
  font: inherit;
  color: inherit;
  margin: 0;
}

h1, h2, h3, h4, p, figure, blockquote, dl, dd { margin: 0; }
ul, ol { margin: 0; padding: 0; list-style: none; }

/* 9. Keyboard focus is visible on every interactive element: white plate,
   3px accent stroke — the decision taken for the form fields, applied site
   wide because the component sets carry no separate focus variant.        */
:focus-visible {
  outline: 3px solid var(--border-accent);
  outline-offset: 2px;
  background-color: var(--editorial-white-2);
}

/* --- 7.3 Heading trim ---------------------------------------------------
   Headings in the file sit on the cap height, not on the line box. Without
   the trim every heading drops a few pixels and the spacing above it reads
   larger than the macket.                                                  */
.u-trim {
  text-box-trim: trim-both;
  text-box-edge: cap alphabetic;
}

/* --- 7.2 Type styles ----------------------------------------------------
   Letter spacing comes from Figma as a percentage of the type size, so it
   is written in em and never converted to pixels. Line height is Auto in
   every style, which is line-height: normal, not 100 %.                    */
.t-heading-accent       { font-family: "Comforter", cursive; font-weight: 400; font-size: 100px; letter-spacing: 0; text-transform: uppercase; }
.t-heading-accent-small { font-family: "Comforter", cursive; font-weight: 400; font-size: 100px; letter-spacing: 0; }
.t-heading              { font-weight: 1000; font-size: 50px; letter-spacing: 0.1em;  text-transform: uppercase; }
.t-heading-wide         { font-weight: 1000; font-size: 50px; letter-spacing: 0.06em; text-transform: uppercase; }
.t-heading-wide-light   { font-weight: 200;  font-size: 50px; letter-spacing: 0.06em; text-transform: uppercase; }
.t-subheading           { font-weight: 400;  font-size: 25px; letter-spacing: 0;      text-transform: uppercase; }
.t-intro                { font-weight: 400;  font-size: 25px; letter-spacing: 0; }
.t-intro-black          { font-weight: 1000; font-size: 25px; letter-spacing: 0;      text-transform: uppercase; }
.t-intro-black-wide     { font-weight: 1000; font-size: 25px; letter-spacing: 0.1em;  text-transform: uppercase; }
.t-base                 { font-weight: 400;  font-size: 15px; letter-spacing: 0; }
.t-base-black           { font-weight: 1000; font-size: 15px; letter-spacing: 0; }
.t-base-italic          { font-weight: 400;  font-size: 15px; font-style: italic; }
.t-base-down-black      { font-weight: 1000; font-size: 15px; text-transform: lowercase; }
.t-base-up              { font-weight: 400;  font-size: 15px; text-transform: uppercase; }
.t-base-up-black        { font-weight: 1000; font-size: 15px; text-transform: uppercase; }
.t-base-up-black-wide   { font-weight: 1000; font-size: 15px; letter-spacing: 0.1em;  text-transform: uppercase; }
.t-label                { font-weight: 400;  font-size: 25px; letter-spacing: 0.1em;  text-transform: uppercase; }
.t-label-wide           { font-weight: 400;  font-size: 25px; letter-spacing: 0.6em;  text-transform: uppercase; }
.t-label-big            { font-weight: 200;  font-size: 100px; text-transform: uppercase; }
.t-label-big-black      { font-weight: 1000; font-size: 100px; text-transform: uppercase; }

.u-secondary { color: var(--content-secondary); }
.u-accent    { color: var(--content-accent); }

/* --- 4.1 / 4.2 Working area ---------------------------------------------
   Above 1440 the working area holds at 1340 and centres; the margins grow.
   Between 1200 and 1440 the margin stays 50, the gutter stays 25, the
   columns narrow. Type sizes do not change.                               */
.container {
  width: min(var(--layout-content), 100% - var(--layout-margin) * 2);
  margin-inline: auto;
}

/* 12-column helper. The column width is derived from the grid, never set. */
.grid12 {
  display: grid;
  grid-template-columns: repeat(12, 1fr);
  gap: var(--layout-gutter);
}

/* --- 5.1 Intent tags ----------------------------------------------------
   Five values cover all thirty-nine hand-composed blocks. Where Auto Layout
   in the file disagrees with the tag, the tag wins.                        */

/* fluid — lives inside the working area and narrows with it. Default. */
.is-fluid { width: 100%; }

/* flow — a row of equal elements that wraps when it stops fitting.
   The gap equals the gutter. The count per row is not fixed.              */
.is-flow {
  display: flex;
  flex-wrap: wrap;
  gap: var(--layout-gutter);
}
.is-flow > * { flex: 1 1 var(--flow-basis, 430px); min-width: 0; }

/* bleed:both — runs the full window width both sides. Text and cards
   inside stay in the working area.                                        */
.is-bleed-both {
  width: 100vw;
  margin-left: calc(50% - 50vw);
}

/* bleed:left / bleed:right — out past one margin only, never both.
   --bleed-stop is the macket coordinate of the edge that stays put,
   expressed as a share of the working area.

   The box stops growing at the reference frame. It used to run to the window
   edge (`margin-left: calc(50% - 50vw)`), which at 1440 made it exactly the
   macket's 1340 — every share inside is a share of 1340, so the composition
   was right there and only there. At 1920 the same box became 1580 and the
   photograph, the cards and the text stretched with it: the "block drifts
   left" the comments report, eighteen times over. Pinned to the frame, the
   proportions inside are the macket's at any width.

   What is supposed to keep running off the edge is the fill, not the
   composition — an amber slab, a coloured band. That is `.u-bleed-fill-left`
   below, on the fill itself. */
.is-bleed-left {
  width: calc(100% - var(--bleed-stop, 0%)
              + (var(--layout-reference) - var(--layout-content)) / 2);
  margin-left: calc((var(--layout-content) - var(--layout-reference)) / 2);
  margin-right: 0;
}
/* Mirror image: for bleed:right the stop is the LEFT inset, so it stays a
   margin and the width comes off the same side. */
.is-bleed-right {
  width: calc(100% - var(--bleed-stop, 0%)
              + (var(--layout-reference) - var(--layout-content)) / 2);
  margin-right: calc((var(--layout-content) - var(--layout-reference)) / 2);
  margin-left: var(--bleed-stop, 0%);
}

/* The fill carries on to the window edge from wherever it stops. It paints a
   viewport's worth sideways and the page clips it, so no width has to be
   worked out. `background: inherit` so the fill's own colour is the only
   place a colour is written. */
.u-bleed-fill-left::before,
.u-bleed-fill-right::after {
  content: "";
  position: absolute;
  top: 0;
  bottom: 0;
  width: 100vw;
  background: inherit;
}
.u-bleed-fill-left::before  { right: 100%; }
.u-bleed-fill-right::after  { left: 100%; }

/* --- 4.0 The frame ------------------------------------------------------
   Everything positioned from --line-step is positioned inside this box, and
   nothing else is: the macket's 1440 frame, centred, shrinking with the
   window below 1440 and holding still above it. Before this existed, the
   line layer was `inset: 0` on the page, so --line-step read as 12.5 % of
   the WINDOW: at 1440 the lines landed on 180 · 360 · … · 1260 exactly, and
   at 1920 they spread to a 240 step and left the working area behind. Same
   for the header's menu, which took its cells from the same percentage.
   One box, one source, so the page layer and the header layer cannot drift
   apart at any width.                                                      */
.u-frame {
  position: absolute;
  top: 0;
  bottom: 0;
  left: 50%;
  width: min(100%, var(--layout-reference));
  transform: translateX(-50%);
}

/* --- 4.1 Vertical lines -------------------------------------------------
   One component, two placements. Positions are read from --line-step in
   tokens.css and exist nowhere else, so the page layer and the header layer
   cannot drift apart.                                                      */
.gridlines {
  position: absolute;
  top: 0;
  bottom: 0;
  left: 50%;
  width: min(100%, var(--layout-reference));
  transform: translateX(-50%);
  pointer-events: none;
  z-index: 0;
}
.gridlines i {
  position: absolute;
  top: 0;
  bottom: 0;
  width: var(--line-width);
  background: var(--line-color);
  left: calc(var(--n) * var(--line-step));
}

/* The page layer sits under every section, the full height of the document.
   The header is the one exception: it keeps its own sticky positioning and
   rides above, because it draws its own copy of the lines over its plate. */
/* Bleeding blocks are drawn past the window edge on purpose — an amber band
   that runs off the left, a roller whose next card is cut by the right. The
   page clips them at the window. `clip` and not `hidden`: hidden would make
   this a scroll container and the pinned header would stop pinning. */
.page {
  position: relative;
  overflow-x: clip;
}
.page > .gridlines { z-index: 0; }
.page > *:not(.gridlines):not(.site-header):not(.site-up) { position: relative; z-index: 1; }
.page > .site-header { z-index: 2; }

/* Skip link — visible only once it takes focus. */
.skip-link {
  position: absolute;
  left: var(--layout-margin);
  top: 0;
  z-index: 10;
  transform: translateY(-200%);
  padding: 12px 25px;
  background: var(--editorial-white-2);
  color: var(--content-primary);
  font-weight: 1000;
  font-size: 15px;
  text-transform: uppercase;
  transition: transform var(--t-fast);
}
.skip-link:focus-visible { transform: translateY(0); }

/* --- Vertical rhythm between the blocks ---------------------------------
   The file stacks the screen's blocks on a fixed rhythm, and it is defined
   here once rather than inside each section: a section owns its own height,
   never the air around it.

   Read off the Main screen (1:3): the header's box ends at 111 and the first
   block starts at 180; every neighbouring pair of blocks sits 150 apart; the
   footer sits 100 below the last one.

   150 is only the Main screen's number. Services runs 150 · 100 · 0, How It
   Works runs 100 below its halfway point, and the gap under the header is a
   different number on every screen. So the default lives here and a block
   that departs from it writes its own value once, in the markup, as
   `style="--gap: 100px"` on the <section> — the measured Figma number, next
   to the block it belongs to, still not a margin the section sets on itself.

   The FAQ on Main carries `--gap: 0`: its full-width blue fill is meant to
   start exactly where the founder block above it ends.                      */
:root {
  --block-gap: 150px;
  --block-gap-first: 69px;   /* header box 111 → first block 180 */
  --block-gap-footer: 100px;
}

main > section + section  { margin-top: var(--gap, var(--block-gap)); }
main > section:first-child { margin-top: var(--gap, var(--block-gap-first)); }
.page > .site-footer { margin-top: var(--gap-footer, var(--block-gap-footer)); }

/* --- 13.3 Anchors -------------------------------------------------------
   Smooth scroll that accounts for the pinned header, so the target block
   does not hide underneath it.                                            */
html { scroll-behavior: smooth; }
[id] { scroll-margin-top: calc(var(--header-height) + 50px); }

@media (prefers-reduced-motion: reduce) {
  html { scroll-behavior: auto; }
  *, *::before, *::after {
    animation-duration: 0.01ms !important;
    transition-duration: 0.01ms !important;
  }
}

/* --- Below the 1200 floor ------------------------------------------------
   The design stops at 1200: below that there is no narrower composition to
   fall back to, and `min-width` on its own gave a horizontal scrollbar — the
   headline cut off the left edge, half the hero off the right. A window at
   900 is not a phone; it is a laptop or a half-screen window, and a page you
   have to scroll sideways to read is broken in the only sense that matters.

   So the page keeps its 1200 layout and is scaled down to fit the window.
   Everything stays in proportion and simply reads smaller. This is not a
   narrow layout and it is no substitute for one — it is what the site does
   until a narrow composition is drawn.

   The scale itself cannot be written here: `zoom` needs a plain ratio, and
   no CSS expression turns a viewport width into one — dividing 100vw by 1200
   yields a length, which `zoom` rejects. So it is set by the small inline
   script the build puts at the top of every <body>, and `zoom` rather than
   `transform: scale()` because a transform would make the pinned header and
   the scroll-to-top control position against the transformed box instead of
   the window, and both would come unstuck.                                 */

/* An inline link inside body copy. The site has no underlines anywhere, so
   a link in the middle of a sentence has to be told apart some other way:
   it carries the accent colour and a 1px rule that thickens on hover. */
.u-link-inline {
  color: var(--content-accent);
  border-bottom: 1px solid currentColor;
  transition: border-bottom-width var(--t-fast), color var(--t-fast);
}
.u-link-inline:hover,
.u-link-inline:focus-visible {
  border-bottom-width: 3px;
}

/* ===== header.css ===== */
/* ==========================================================================
   Site header — Figma component set 504:2789, instance 20:1973 on Main.
   Load AFTER css/base.css.

   Full window width, 61px tall, pinned to the top of the window. Three
   layers, bottom to top:

     1. the plate  — Editorial White 4 at 75 % over a background blur
                     (Figma "Rectangle 13", 1440 x 61)
     2. the lines  — the page's own .gridlines component, drawn a second
                     time so the seven lines sit OVER the plate
     3. the logo and the menu

   Geometry: the seven lines and the seven menu cells are the same seven
   positions. They are read from --line-step in tokens.css and appear
   nowhere else, so the page's line layer and the header's cannot drift.
   ========================================================================== */

.site-header {
  position: sticky;
  top: 0;
  z-index: 10;
  height: var(--header-height);
  /* Starts one page margin down; the page's own lines show in that strip. */
  margin-top: var(--layout-margin);
}

/* base.css pins every child of .page with `position: relative` at a higher
   weight than a single class, so the sticky behaviour is restated here at
   matching specificity. Width stays `auto` — the header must measure the
   same box as .page, not 100vw, or the scrollbar would offset its lines by
   a few pixels against the page's. */
.page > .site-header {
  position: sticky;
  z-index: 10;
}

/* --- 1. The plate ------------------------------------------------------- */
.site-header__plate {
  position: absolute;
  inset: 0;
  z-index: 0;
  background: var(--header-plate);
  -webkit-backdrop-filter: blur(var(--header-blur));
  backdrop-filter: blur(var(--header-blur));
}

/* --- 2. The lines -------------------------------------------------------
   The only modifier the shared component needs: it is lifted above the
   plate. The page layer keeps z-index 0 and stays under the content, so
   what shows inside the header is this crisp set at full strength, never
   the page's set dimmed and blurred through the translucent plate.       */
.site-header__lines {
  z-index: 1;
}

/* --- 3. Logo ------------------------------------------------------------ */
/* The macket's margin measured from the frame, not from the window: above
   1440 the frame centres, and a logo pinned to the window edge would sit
   240 away from the menu that starts at the frame's first line. */
.site-header__logo {
  position: absolute;
  z-index: 2;
  left: calc(max(0px, (100% - var(--layout-reference)) / 2) + var(--layout-margin));
  top: 50%;
  transform: translateY(-50%);
}

/* 15px tall, the wordmark's own ratio gives the width (107.45 in the
   macket). Fixed to the window margin, not to a share of the width. */
.site-header__logo img {
  width: auto;
  height: 15px;
}

/* --- 3. Menu ------------------------------------------------------------
   Each cell's line is at --n * --line-step; the label sits one gutter to
   the right of it. The cell width (150 in the macket) is never needed —
   the next cell is placed from the next line, not from this one's edge.  */
/* The frame box, not the window: the cells are placed from --line-step and
   the lines they belong to are now anchored to the macket's 1440 frame
   (base.css §4.0). Window-wide, the menu spread with the window and left
   its own lines behind above 1440. */
.site-header__nav {
  position: absolute;
  top: 0;
  bottom: 0;
  left: 50%;
  width: min(100%, var(--layout-reference));
  transform: translateX(-50%);
  z-index: 2;
  /* The nav box covers the whole header, including the logo. It is
     transparent but would still take the clicks, so it is made inert and
     only the menu items themselves are given back to the pointer. */
  pointer-events: none;
}

.site-header__item {
  position: absolute;
  top: 0;
  bottom: 0;
  display: flex;
  align-items: center;
  pointer-events: auto;
  left: calc(var(--n) * var(--line-step) + var(--layout-gutter));
}

.site-header__link {
  white-space: nowrap;
  transition: color var(--t-fast);
}

/* Active page. The five variants in the set carry no other difference at
   this height, so one rule covers Main, Services, Process, Results and
   About. Styled off the attribute so the markup cannot drift from it. */
.site-header__link[aria-current="page"],
.site-header__link:hover,
.site-header__link:focus-visible {
  color: var(--content-accent);
}

/* --- 4. The sub-navigation ----------------------------------------------
   Three of the five header variants in the set are 113 tall instead of 61:
   Services (966:7456), Results (521:2698) and About (521:3038). The extra
   52 is a second row of links that hangs under the item that owns it —
   All services / Discovery Sprint under Services, Author Stories / Free
   Resources under Results, Our Team & Story / FAQ / Contact under About.

   Each sub-item sits on the SAME seven positions as the bar above it, one
   gutter right of its line, and the group's plate covers only its own
   columns. The rest of the row is bare: the page shows through it, with
   the seven lines carried down across the full width (Figma "Group 75").

   The block is a child of the <li> that opens it, so :hover and
   :focus-within on that item are the entire interaction — no script, and
   the pointer can travel down into the row without losing the hover
   because it never leaves the <li>'s subtree.

   It is an OVERLAY, not flow: on Services the hero deliberately starts at
   110 and runs up behind the whole header. A page whose first block is
   meant to start below the open row writes that into its own --gap.     */
/* The row is a frame box, not a window-wide one: every piece inside it —
   plate, rule, line copy, labels — is placed from --line-step, and the line
   copy is now anchored to the macket's 1440 frame (base.css §4.0). If this
   row stayed window-wide the plate would sit at 12.5 % of the window while
   the lines sat on the frame, and above 1440 they would come apart. */
.site-header__sub {
  position: absolute;
  top: 100%;
  left: 50%;
  width: min(100%, var(--layout-reference));
  transform: translateX(-50%);
  height: 52px;
  opacity: 0;
  visibility: hidden;
  transition: opacity var(--t-fast) ease, visibility var(--t-fast);
  /* The nav box above is inert so it cannot swallow clicks meant for the
     page; this row is its own box and takes its own. */
  pointer-events: auto;
}

/* The block is a sibling of the menu, not a child of the item that opens it:
   the item is itself absolutely positioned, so a descendant would be laid
   out against that one narrow cell instead of across the header. :has()
   carries the relationship instead.

   Three states, in this order, and the order is the whole logic:

     1. a page that belongs to a group holds that group's row open;
     2. the moment the pointer or the caret lands on ANY opening item, every
        row closes — otherwise the page's own row and the hovered one draw
        on top of each other in the same 52px strip, which is what the
        header did on all seven section pages;
     3. the row belonging to what is actually being pointed at opens.

   Step 3 also keeps the row open while the pointer is inside it, so
   travelling down from the label into the links does not close it. */

/* 1 — held open by the page */
.site-header[data-subnav="services"] .site-header__sub[data-group="services"],
.site-header[data-subnav="results"]  .site-header__sub[data-group="results"],
.site-header[data-subnav="about"]    .site-header__sub[data-group="about"] {
  opacity: 1;
  visibility: visible;
}

/* 2 — anything being pointed at or tabbed to closes all of them first */
.site-header:has(.site-header__link[data-opens]:hover) .site-header__sub,
.site-header:has(.site-header__link[data-opens]:focus-visible) .site-header__sub,
.site-header:has(.site-header__sub:hover) .site-header__sub,
.site-header:has(.site-header__sub:focus-within) .site-header__sub {
  opacity: 0;
  visibility: hidden;
}

/* 3 — and only the one being pointed at opens */
.site-header:has(.site-header__link[data-opens="services"]:hover) .site-header__sub[data-group="services"],
.site-header:has(.site-header__link[data-opens="services"]:focus-visible) .site-header__sub[data-group="services"],
.site-header:has(.site-header__sub[data-group="services"]:hover) .site-header__sub[data-group="services"],
.site-header:has(.site-header__sub[data-group="services"]:focus-within) .site-header__sub[data-group="services"],
.site-header:has(.site-header__link[data-opens="results"]:hover) .site-header__sub[data-group="results"],
.site-header:has(.site-header__link[data-opens="results"]:focus-visible) .site-header__sub[data-group="results"],
.site-header:has(.site-header__sub[data-group="results"]:hover) .site-header__sub[data-group="results"],
.site-header:has(.site-header__sub[data-group="results"]:focus-within) .site-header__sub[data-group="results"],
.site-header:has(.site-header__link[data-opens="about"]:hover) .site-header__sub[data-group="about"],
.site-header:has(.site-header__link[data-opens="about"]:focus-visible) .site-header__sub[data-group="about"],
.site-header:has(.site-header__sub[data-group="about"]:hover) .site-header__sub[data-group="about"],
.site-header:has(.site-header__sub[data-group="about"]:focus-within) .site-header__sub[data-group="about"] {
  opacity: 1;
  visibility: visible;
}

/* The group's own piece of the plate: from its first line to one past its
   last, so the blur ends on a line and not in the middle of a cell. */
.site-header__sub-plate {
  position: absolute;
  top: 0;
  bottom: 0;
  left: calc(var(--from) * var(--line-step));
  width: calc(var(--span) * var(--line-step) + var(--line-width));
  background: var(--header-plate);
  -webkit-backdrop-filter: blur(var(--header-blur));
  backdrop-filter: blur(var(--header-blur));
}

/* Figma "Line 39": 1px at y 62, i.e. the first pixel of this row, spanning
   exactly the group's columns. */
.site-header__sub-rule {
  position: absolute;
  top: 1px;
  height: var(--line-width);
  left: calc(var(--from) * var(--line-step));
  width: calc(var(--span) * var(--line-step) + var(--line-width));
  background: var(--line-color);
  z-index: 2;
}

/* The lines carry on down through the row — but only inside the group's own
   columns.

   They used to be drawn across all seven. On the page the line layer lies
   UNDER the sections, so a section's own fill hides it; this copy sits above
   the page instead, so every line outside the open panel was painted onto
   whatever content happened to be under the header — four loose verticals
   hanging off the bar to the left of the About panel, with no plate and no
   rule to belong to. Services never showed it because its panel starts at
   the first line and there is nothing to its left.

   The layer stays full width so the `--n` percentages still resolve against
   the same box as everywhere else; the clip is what limits what is painted,
   from the group's first line to the far edge of its last column. */
.site-header__sub-lines {
  z-index: 1;
  clip-path: inset(
    0
    max(0px, calc(100% - (var(--from) + var(--span)) * var(--line-step) - var(--line-width)))
    0
    calc(var(--from) * var(--line-step)));
}

.site-header__submenu {
  position: absolute;
  inset: 0;
  z-index: 3;
}

/* Macket: label baseline at y 76 within the 113 header, i.e. 15 into this
   row; same one-gutter offset from the line as the bar above. */
.site-header__subitem {
  position: absolute;
  top: 15px;
  left: calc(var(--n) * var(--line-step) + var(--layout-gutter));
  pointer-events: auto;
}

/* Sentence case, Base Regular — the one place on the site where a menu
   label is not set in capitals. */
.site-header__sublink {
  white-space: nowrap;
  transition: color var(--t-fast);
}

.site-header__sublink[aria-current="page"],
.site-header__sublink:hover,
.site-header__sublink:focus-visible {
  color: var(--content-accent);
}

/* ===== footer.css ===== */
/* ==========================================================================
   Site footer — Figma symbol 152:1464, instance 966:8527.
   Load AFTER css/base.css.

   Full window width, 415 tall in the macket, Vista Blue 1. The fill is
   opaque, so it covers the page's vertical line layer — the macket shows
   no lines inside the footer.

   Vertical rhythm, read off the macket (footer top = 0):

        50  logo, 15 tall
        83  hairline, full working area
        98  tagline          |  50   Company / Services / Contact headings
       134  social icons     |  98   first link of each column
       184  Barcelona office | 289   last link of the Services column
       339  hairline
       354  legal links and copyright
       415  foot

   The right-hand link block starts level with the logo, so the first
   hairline crosses it. That is why the two halves are one grid with fixed
   rows rather than two stacked blocks: the rules span both columns while
   the link block spans the rows above and below the first of them.
   ========================================================================== */

.site-footer {
  background: var(--vista-blue-1);
  padding-block: var(--layout-margin);
  min-height: 415px;
}

.site-footer__grid {
  display: grid;
  grid-template-columns: minmax(0, 1fr) auto;
  /* logo band · hairline · body · hairline · bottom bar */
  grid-template-rows: 33px var(--line-width) 255px var(--line-width) auto;
}

/* --- Logo --------------------------------------------------------------- */
.site-footer__logo {
  grid-column: 1;
  grid-row: 1;
  justify-self: start;
}

.site-footer__logo img {
  width: auto;
  height: 15px;
}

/* --- Hairlines ---------------------------------------------------------- */
.site-footer__rule {
  grid-column: 1 / -1;
  margin: 0;
  border: 0;
  height: var(--line-width);
  background: var(--rich-black-1);
}
.site-footer__rule--top    { grid-row: 2; }
.site-footer__rule--bottom { grid-row: 4; }

/* --- Left half: tagline, socials, office -------------------------------- */
.site-footer__brand {
  grid-column: 1;
  grid-row: 3;
}

.site-footer__tagline { margin-top: 14px; }

.site-footer__social {
  display: flex;
  align-items: center;
  gap: var(--layout-gutter);
  margin-top: var(--layout-gutter);
}

.site-footer__office {
  display: block;
  font-style: normal;
  margin-top: var(--layout-gutter);
}
.site-footer__office span { display: block; }

/* --- Right half: three link columns -------------------------------------
   Spans from the logo band down past the first hairline, exactly as in the
   macket. 169 wide each, 50 apart — two gutters.                          */
.site-footer__nav {
  grid-column: 2;
  grid-row: 1 / 4;
  align-self: start;
  display: flex;
  gap: calc(var(--layout-gutter) * 2);
}

.site-footer__col {
  display: flex;
  flex-direction: column;
  gap: 30px;
  width: 169px;
}

.site-footer__list {
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
  align-items: start;
}

/* --- Bottom bar --------------------------------------------------------- */
.site-footer__bottom {
  grid-column: 1 / -1;
  grid-row: 5;
  display: flex;
  align-items: flex-start;
  justify-content: space-between;
  gap: var(--layout-gutter);
  margin-top: 14px;
}

.site-footer__legal {
  display: flex;
  flex-wrap: wrap;
  gap: var(--layout-gutter);
}

.site-footer__copy {
  text-align: right;
  white-space: nowrap;
}

/* --- Links -------------------------------------------------------------- */
.site-footer a {
  transition: color var(--t-fast);
}
.site-footer a:hover,
.site-footer a:focus-visible {
  color: var(--content-accent);
}

/* --- The reduced footer — Figma `Footer_min` 917:7587, 1440 x 319 --------
   Used by the two paid-traffic landing pages. Same brand block, same legal
   row, same hairline; the three site-map columns are replaced by "Contact"
   and two ways to reach us, and the second hairline is gone.

   Measured from the symbol: logo 50,50 · rule y 83 · tagline y 98 · social
   y 134 · office y 184 · legal row and copyright y 258. With the 50 page
   padding those become a 33 logo band, the rule, a 160 body and the bottom
   bar — 319 in total.                                                     */
.site-footer--min {
  min-height: 319px;
}

.site-footer--min .site-footer__grid {
  /* logo band · hairline · body · bottom bar */
  grid-template-rows: 33px var(--line-width) 160px auto;
}

/* "Contact" sits on the logo's line, hard right. */
.site-footer--min .site-footer__contact {
  grid-column: 2;
  grid-row: 1;
  justify-self: end;
  align-self: start;
}

/* WhatsApp and the address share the tagline's line, right aligned. */
.site-footer--min .site-footer__reach {
  grid-column: 2;
  grid-row: 3;
  justify-self: end;
  align-self: start;
  display: flex;
  gap: 50px;
  margin-top: 14px;
}

.site-footer--min .site-footer__reach a {
  transition: color var(--t-fast);
}
.site-footer--min .site-footer__reach a:hover,
.site-footer--min .site-footer__reach a:focus-visible {
  color: var(--content-accent);
}

/* The bottom bar moves up one row, since there is no second hairline. */
.site-footer--min .site-footer__bottom {
  grid-row: 4;
}

/* ===== up.css ===== */
/* ==========================================================================
   Scroll-to-top control — `Button_form` 657:4075, macket 50,235 · 61 × 72.
   Load AFTER css/base.css.

   Fixed to the window at the page margin, at the same y the file draws it,
   so it sits in the empty strip left of the first vertical line and clear of
   the header. The label is set on its side reading bottom to top, which is
   what makes the box taller than it is wide.
   ========================================================================== */

.site-up {
  position: fixed;
  left: var(--layout-margin);
  /* The file draws this at y 235 — a static position on a page that does not
     scroll. As a floating control at the same coordinate it sits on top of
     whatever band happens to be passing: the Services list on the homepage
     runs its blue fill from the page margin, and the button covered the first
     row's line. So it keeps the file's x and moves to the foot of the window,
     out of the reading column and where a back-to-top control is looked for. */
  bottom: var(--layout-margin);
  z-index: 11;                      /* over the header's 10 */
  display: inline-flex;
  align-items: center;
  justify-content: center;
  padding: 25px;
  border: 0;
  background: var(--action-fill);
  color: var(--content-on-accent);
  box-shadow: inset 0 0 0 3px var(--action-fill);
  cursor: pointer;
  opacity: 0;
  transition: opacity var(--t-base) ease,
              background-color var(--t-fast) ease,
              box-shadow var(--t-fast) ease;
}

/* `hidden` is removed by the script; `data-shown` is what fades it in, so
   the control is never a dead button and never a flash on load. */
.site-up[data-shown] { opacity: 1; }

.site-up__label {
  writing-mode: vertical-rl;
  transform: rotate(180deg);        /* reads bottom to top, as in the file */
  white-space: nowrap;
}

/* pas → hov on Button_form: the fill empties, the amber stroke stays, and
   the box does not change size because the stroke is drawn inside. */
.site-up:hover,
.site-up:focus-visible {
  background: var(--action-fill-hover);
  box-shadow: inset 0 0 0 3px var(--action-border-hover);
}

/* ===== discovery-sprint/ds1.css ===== */
/* ==========================================================================
   Discovery Sprint — block 1, hero
   Figma: node 557:3271 "Section 1 [fluid]", 1112 x 625, macket x 164 - 1276.

   1112 is columns 2 - 11 of the twelve: 10 * 88.75 + 9 * 25 = 1112.5 at the
   1440 reference, so the block is a grid item rather than a measured width.
   Every horizontal measure inside is written as a share of that frame, so the
   composition holds while the working area narrows between 1200 and 1440.
   Vertical offsets are the macket's pixels.

   The photograph is the only child left in normal flow: it is the tallest
   thing in the block, so it — and not a padding — is what makes the section
   625 tall, and the block keeps its proportions as the frame narrows.
   ========================================================================== */

.s-ds1 .s-ds1__stage {
  position: relative;
  grid-column: 2 / span 10;
}

/* --- Photograph, macket 470,0 · 510 x 625 --------------------------------
   Exported from "Hero photo" (540:2982) as one RGBA file: the cut-out
   portrait and the Vista Blue 1 silhouette behind it are a single masked
   composition in the file, and the page's vertical lines have to read
   through the transparent ground between her arms.                         */
.s-ds1 .s-ds1__media {
  margin: 0 0 0 27.51799%;     /* 306 / 1112 */
  width: 45.86331%;            /* 510 / 1112 */
}

.s-ds1 .s-ds1__media img {
  width: 100%;
  aspect-ratio: 510 / 625;
}

/* --- Heading column, macket 164,50 · 430 wide ---------------------------- */
.s-ds1 .s-ds1__lede {
  position: absolute;
  left: 0;
  top: 50px;
  width: 38.66906%;            /* 430 / 1112 */
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
  z-index: 1;
}

/* The Comforter word lies over the Mulish heading in one grid cell. The
   heading sits 50 down inside the 274-tall group; the accent starts at 0 and
   is 402 of the 430 wide, left aligned, exactly as the file draws it.      */
.s-ds1 .s-ds1__title {
  display: grid;
  font: inherit;
}
.s-ds1 .s-ds1__title > * {
  grid-area: 1 / 1;
  justify-self: start;
}
.s-ds1 .s-ds1__title-accent {
  width: 93.48837%;            /* 402 / 430 */
  color: var(--amber-4);
}
.s-ds1 .s-ds1__title-main {
  margin-top: 50px;
  width: 100%;
}

/* --- Offer column, macket 935,349 · 341 wide -----------------------------
   771 + 341 = 1112, so the column is pinned to the block's right edge.     */
.s-ds1 .s-ds1__offer {
  position: absolute;
  right: 0;
  top: 349px;
  width: 30.66547%;            /* 341 / 1112 */
  display: flex;
  flex-direction: column;
  align-items: flex-start;
  gap: var(--layout-gutter);
  z-index: 1;
}

.s-ds1 .s-ds1__offer-copy {
  width: 100%;
}

/* --- Button_form --------------------------------------------------------
   25 + cap height 11 + 25 = 61. The hover state empties the fill and leaves
   a 3px stroke; it is drawn as an inset shadow so the box never changes
   size between the two states.                                             */
.s-ds1 .s-ds1__cta {
  display: inline-flex;
  align-items: center;
  justify-content: center;
  padding: 25px;
  white-space: nowrap;
  background: var(--action-fill);
  box-shadow: inset 0 0 0 3px var(--action-fill);
  color: var(--content-on-accent);
  cursor: pointer;
  transition: background-color var(--t-base), box-shadow var(--t-base);
}

.s-ds1 .s-ds1__cta:hover,
.s-ds1 .s-ds1__cta:focus-visible {
  background: var(--action-fill-hover);
  box-shadow: inset 0 0 0 3px var(--action-border-hover);
}

/* ===== discovery-sprint/ds2.css ===== */
/* ==========================================================================
   Discovery Sprint — block 2, what you get
   Figma: node 540:3177 "Frame 154", 885 x 871, macket x 278.
   Card component: Discovery_S2_Card, component set 540:3119, eight variants —
   four cards × Pas / Hov.

   885 is eight columns with their gutters, centred in the working area:
   two columns and a gutter each side. 159 heading + 50 + 662 = 871.
   ========================================================================== */

.s-ds2 .s-ds2__inner {
  grid-column: 3 / span 8;
  display: flex;
  flex-direction: column;
  gap: 50px;
}

/* --- Heading ------------------------------------------------------------
   The Comforter word lies over the Mulish heading in one grid cell. The
   heading sits 50 down inside the 85-tall group; the accent starts at 0.

   The accent is Editorial White 4 — the page colour. It is not a mistake:
   the handwriting reads only where it crosses the dark Mulish word, which
   is the cut-out the macket draws. Its box is 827 of the 885 and is aligned
   to the group's left edge, so the word sits 29 left of the heading's
   centre; that offset is the composition, not a rounding artefact.        */
.s-ds2 .s-ds2__intro {
  display: flex;
  flex-direction: column;
  align-items: center;
  gap: var(--layout-gutter);
  text-align: center;
}

.s-ds2 .s-ds2__title {
  display: grid;
  width: 100%;
  font: inherit;
}
.s-ds2 .s-ds2__title > * {
  grid-area: 1 / 1;
  justify-self: start;
}
.s-ds2 .s-ds2__title-accent {
  width: 93.48836%;            /* 827.372 / 885 */
  color: var(--editorial-white-4);
}
.s-ds2 .s-ds2__title-main {
  margin-top: 50px;
  width: 100%;
}

.s-ds2 .s-ds2__lede {
  width: 100%;
  max-width: 479px;
}

/* --- Cards and the closing line ----------------------------------------- */
.s-ds2 .s-ds2__deliverables {
  display: flex;
  flex-direction: column;
  gap: 50px;
}

/* Two 430 cards with the 25 gutter: 430 * 2 + 25 = 885 exactly. Written as
   a two-column grid rather than a flow row because the pair is a 2 × 2
   block in the file and the two cards of a row share one height.          */
.s-ds2 .s-ds2__cards {
  display: grid;
  grid-template-columns: repeat(2, minmax(0, 1fr));
  gap: var(--layout-gutter);
  align-items: stretch;
}

/* --- Discovery_S2_Card --------------------------------------------------
   Pas (540:3118 and its three siblings): Editorial White 4 plate — the page
   colour, so what the plate actually does is cover the vertical lines.
   25 of padding, 50 at the foot; 380 of content; 25 between number and
   title, 50 before the body.                                               */
.s-ds2 .s-ds2__card {
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
  padding: 25px 25px 50px;
  background: var(--editorial-white-4);
  color: var(--content-primary);
  transition: background-color var(--t-base);
}

.s-ds2 .s-ds2__num {
  color: var(--amber-4);
  transition: color var(--t-base);
}

/* 50 between the title and the body, against the 25 the card already sets. */
.s-ds2 .s-ds2__card-copy {
  margin-top: var(--layout-gutter);
}

/* Hov (540:3117 / 3114 / 3111 / 3115): the plate turns Amber 4 and the
   numeral turns Editorial White 4. Nothing else moves and no content
   appears, so the card stays a plain list item — there is nothing here for
   a keyboard to reach that hovering would reveal. `:focus-within` is kept
   so the state still shows if a link is ever added inside.                 */
.s-ds2 .s-ds2__card:hover,
.s-ds2 .s-ds2__card:focus-within {
  background: var(--amber-4);
}
.s-ds2 .s-ds2__card:hover .s-ds2__num,
.s-ds2 .s-ds2__card:focus-within .s-ds2__num {
  color: var(--editorial-white-4);
}

.s-ds2 .s-ds2__note {
  text-align: center;
}

/* ===== discovery-sprint/ds3.css ===== */
/* ==========================================================================
   Discovery Sprint — block 3, how it works
   Figma: instance 540:3386 of the screen's own How-it-works component,
   `prop=How_it_works_main/01` (`540:3196`), 1440 x 1100.

   Same arc, same dial geometry and the same stop positions as Main's
   section 6 (sections/main/s6.*) — Ellipse 7 is the identical 1150 box at
   (−442, −25), Ellipse 8 the identical 15px bullet at (700, 542), the
   Arrow_graphic_button the identical 50 disc at (625, 525) and the
   Button_form the identical 198 x 61 at (1192, 989). Only the palette and
   the copy differ, and this screen adds a subheading under the title.

   Palette, read off the file rather than assumed:
     plate        Rich black 3   (540:3196 fill)
     arc, closed bullets and closed numerals
                  Vista blue 1   (verified on 540:3197 and 540:3201)
     open bullet and open numeral
                  Rich black 1   (verified on 540:3198)
     "How"        Amber 4
   Main's section 6 is Vista Blue 1 with Editorial White 4 marks; nothing is
   shared between the two but the geometry, so the rules are written out.

   Macket coordinates are 1440-frame coordinates. The stage below is the 1340
   working area, so every macket x is written here as x − 50. The arc centre
   is therefore (83, 550) with radius 574.5.

   STATIC. The component set carries exactly one variant, "01", so the file
   defines the copy for stage one only — the other three of the "four stages"
   do not exist in the macket. The numerals 02 and 03 are drawn where the
   file draws them but carry no step, and the chevron disc is decorative for
   the same reason. As soon as stages 02–04 have copy this block becomes
   Main's s6 dial verbatim: the markup below is already s6's shape.
   ========================================================================== */

.s-ds3 {
  position: relative;
  height: 1100px;
  overflow: hidden;
  background: var(--rich-black-3);
}

.s-ds3 .s-ds3__stage {
  position: relative;
  height: 100%;
}

/* --- Heading ------------------------------------------------------------
   "HOW" (Comforter) is laid over "IT WORKS" and paints above it, so it comes
   first in the DOM and is lifted with z-index rather than reordered.       */
.s-ds3 .s-ds3__accent {
  position: absolute;
  z-index: 1;
  top: 50px;
  left: 0;
  white-space: nowrap;
  color: var(--amber-4);
}

.s-ds3 .s-ds3__title {
  position: absolute;
  top: 100px;
  left: 0;
  width: 100%;
  color: var(--content-primary);
}

/* Macket 50,160 · 341 wide, two lines. */
.s-ds3 .s-ds3__sub {
  position: absolute;
  top: 160px;
  left: 0;
  width: 100%;
  max-width: 341px;
  color: var(--content-primary);
}

/* --- The arc ------------------------------------------------------------
   Static. Clipped by the section on the left, top and bottom.             */
.s-ds3 .s-ds3__arc {
  position: absolute;
  top: -25px;
  left: -492px;
  pointer-events: none;
}

/* Stroke colours live here, not on the SVG: var() is a CSS value and does
   not resolve inside an XML presentation attribute.                        */
.s-ds3 .s-ds3__arc circle {
  stroke: var(--vista-blue-1);
}

/* --- The dial -----------------------------------------------------------
   Each stop is a zero-size origin at the circle centre, rotated by its
   offset from the open step. Its children then sit on the local x axis,
   which is the radius, so a child at x = 574.5 lands on the arc and one at
   x = 631.5 lands the 57px further out that the macket puts the numerals.
   The open step is offset 0, so it is not rotated at all.                 */
.s-ds3 .s-ds3__dial {
  position: absolute;
  inset: 0;
}

.s-ds3 .s-ds3__stop {
  position: absolute;
  top: 550px;
  left: 83px;
  width: 0;
  height: 0;
  transform: rotate(var(--ds3-angle, 0deg));
}

.s-ds3 .s-ds3__stop[data-offset="0"] { --ds3-angle:  0deg; }
.s-ds3 .s-ds3__stop[data-offset="1"] { --ds3-angle: 30deg; }
.s-ds3 .s-ds3__stop[data-offset="2"] { --ds3-angle: 60deg; }

.s-ds3 .s-ds3__bullet {
  position: absolute;
  top: 0;
  left: 574.5px;
  margin: -7.5px 0 0 -7.5px;
  width: 15px;
  height: 15px;
  border-radius: 50%;
  background: var(--vista-blue-1);
}

.s-ds3 .s-ds3__stop[data-offset="0"] .s-ds3__bullet {
  background: var(--rich-black-1);
}

.s-ds3 .s-ds3__num {
  position: absolute;
  top: 0;
  left: 631.5px;
  margin: -17.5px 0 0 -31.5px;
  width: 63px;
  height: 35px;
  color: var(--vista-blue-1);
}

.s-ds3 .s-ds3__stop[data-offset="0"] .s-ds3__num {
  color: var(--content-primary);
}

/* --- The open step ------------------------------------------------------
   Macket 821,541: the title's cap box is centred on the arc point and the
   body sits 25 below it. Centring the title alone and taking the body out
   of flow reproduces that without measuring either of them.               */
.s-ds3 .s-ds3__steps {
  position: absolute;
  top: 550px;
  right: 0;
  left: 771px;
}

.s-ds3 .s-ds3__step {
  position: absolute;
  top: 0;
  right: 0;
  left: 0;
  transform: translateY(-50%);
}

.s-ds3 .s-ds3__steptitle,
.s-ds3 .s-ds3__stepbody {
  color: var(--content-primary);
}

.s-ds3 .s-ds3__stepbody {
  position: absolute;
  top: calc(100% + 25px);
  left: 0;
  width: 100%;
  max-width: 366px;
}

/* --- Arrow_graphic_button, macket 625,525 · 50 -------------------------- */
.s-ds3 .s-ds3__chev {
  position: absolute;
  top: 525px;
  left: 575px;
  display: inline-flex;
  align-items: center;
  justify-content: center;
  width: 50px;
  height: 50px;
  border-radius: 50%;
  background: var(--action-fill);
}

.s-ds3 .s-ds3__chev path {
  stroke: var(--content-on-accent);
}

/* --- Button_form, macket 1192,989 · 198 x 61 ---------------------------- */
.s-ds3 .s-ds3__cta {
  position: absolute;
  top: 989px;
  right: 0;
  display: inline-flex;
  align-items: center;
  justify-content: center;
  padding: 25px;
  white-space: nowrap;
  background: var(--action-fill);
  box-shadow: inset 0 0 0 3px var(--action-fill);
  color: var(--content-on-accent);
  transition: background-color var(--t-base), box-shadow var(--t-base);
}

.s-ds3 .s-ds3__cta:hover,
.s-ds3 .s-ds3__cta:focus-visible {
  background: var(--action-fill-hover);
  box-shadow: inset 0 0 0 3px var(--action-border-hover);
}

/* ===== discovery-sprint/ds4.css ===== */
/* ==========================================================================
   Discovery Sprint — block 4, who the Sprint fits
   Figma: node 540:3513 "Section 4 [bleed:left]", 1188 x 1006.
   Card component: Discovery_S4_Card, component set 540:3473, four variants —
   two cards × Pas / Hov.

   Intent tag: bleed:left. The block runs off the LEFT window edge; its right
   edge is pinned to macket x = 1188, i.e. 1138 from the working area's left
   edge, so --bleed-stop is 1 − 1138 / 1340 = 15.075 % — measured on this
   block's own frame, which happens to be the same 1188 frame Main's section
   10 uses.

   The Vista Blue 1 band is the full height of the block, 0 - 1006, which is
   why the block is 1006 tall and not 756: the 150 above the heading and the
   100 below the cards are inside the band, not air around the section. The
   air above this block is 0 — the How-it-works plate ends exactly where the
   band begins.

   Every horizontal measure is written as a share of the macket frame width
   (1188). The card's verticals stay in pixels: the card is a fixed 621 and
   the photograph is pinned to its foot.
   ========================================================================== */

.s-ds4 .s-ds4__bleed {
  --bleed-stop: 15.075%;
  position: relative;
  padding: 150px 0 100px;
}

/* --- Vista Blue 1 band, macket 0,0 · 391 x 1006 -------------------------- */
.s-ds4 .s-ds4__band {
  position: absolute;
  left: 0;
  top: 0;
  bottom: 0;
  width: 32.91246%;            /* 391 / 1188 */
  background: var(--vista-blue-1);
  z-index: 0;
}

/* --- Content, macket 253,150 · 935 wide ---------------------------------- */
.s-ds4 .s-ds4__inner {
  position: relative;
  z-index: 1;
  margin-left: 21.29630%;      /* 253 / 1188 */
  width: 78.70370%;            /* 935 / 1188 */
  display: flex;
  flex-direction: column;
  gap: 50px;
}

/* --- Heading ------------------------------------------------------------
   The Comforter word lies over the Mulish heading in one grid cell. The
   heading sits 50 down inside the 85-tall group; the accent starts at 0.
   Both boxes are the full 935 here, so the two words share a centre.      */
.s-ds4 .s-ds4__title {
  display: grid;
  width: 100%;
  text-align: center;
  font: inherit;
}
.s-ds4 .s-ds4__title > * {
  grid-area: 1 / 1;
  width: 100%;
}
.s-ds4 .s-ds4__title-accent {
  color: var(--amber-4);
}
.s-ds4 .s-ds4__title-main {
  margin-top: 50px;
}

/* --- Cards --------------------------------------------------------------
   Two 455 cards with the 25 gutter: 455 * 2 + 25 = 935 exactly.           */
.s-ds4 .s-ds4__cards {
  display: grid;
  grid-template-columns: repeat(2, minmax(0, 1fr));
  gap: var(--layout-gutter);
}

/* Discovery_S4_Card, 455 x 621. The copy block is inset 25 either side and
   starts 50 down; the photograph is 300 tall and sits on the card's foot,
   i.e. macket y 321 of the 621.                                            */
.s-ds4 .s-ds4__card {
  position: relative;
  height: 621px;
  overflow: hidden;
  transition: background-color var(--t-base);
}

.s-ds4 .s-ds4__copy {
  position: absolute;
  top: 50px;
  left: 5.49451%;              /* 25 / 455 */
  right: 5.49451%;
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
  transition: color var(--t-base);
}

.s-ds4 .s-ds4__photo {
  position: absolute;
  left: 0;
  bottom: 0;
  width: 100%;
  height: 300px;
  object-fit: cover;
}

/* Pas: card one is the Rich Black 1 plate with Editorial White 4 copy, card
   two the Rich Black 3 plate with Rich Black 1 copy.                       */
.s-ds4 .s-ds4__card--good {
  background: var(--rich-black-1);
}
.s-ds4 .s-ds4__card--good .s-ds4__copy {
  color: var(--editorial-white-4);
}

.s-ds4 .s-ds4__card--later {
  background: var(--rich-black-3);
}
.s-ds4 .s-ds4__card--later .s-ds4__copy {
  color: var(--rich-black-1);
}

/* Hov: the two cards do NOT share a hover colour. Card one (540:3470) turns
   Amber 4 and its copy turns Rich Black 1; card two (540:3469) turns Vista
   Blue 1 and its copy is already Rich Black 1 and stays there. Nothing else
   moves and no content appears, so the card stays a plain list item.       */
.s-ds4 .s-ds4__card--good:hover,
.s-ds4 .s-ds4__card--good:focus-within {
  background: var(--amber-4);
}
.s-ds4 .s-ds4__card--good:hover .s-ds4__copy,
.s-ds4 .s-ds4__card--good:focus-within .s-ds4__copy {
  color: var(--rich-black-1);
}

.s-ds4 .s-ds4__card--later:hover,
.s-ds4 .s-ds4__card--later:focus-within {
  background: var(--vista-blue-1);
}

/* ===== discovery-sprint/ds5.css ===== */
/* ==========================================================================
   Discovery Sprint — block 5, yours to keep + author testimonial
   Figma: node 563:3195 "Section 5", 1188 x 1104, with the lower half
   563:3175 "Section 5 [bleed:left]", 1188 x 802.

   Intent tag: bleed:left, measured on this block's own frame: the right edge
   is pinned to macket x = 1188, i.e. 1138 from the working area's left edge,
   so --bleed-stop is 1 − 1138 / 1340 = 15.075 %.

   The lower half is the same composition as Main's section 10 — the amber
   band 935 x 225 at (0, 0), the photograph 935 x 526 at (253, 50), the band
   carried across the photograph at half strength, the lockup 658 wide
   centred on the photograph at y 300, and a 430 panel at (505, 485). Every
   coordinate is identical; only the panel's content and its height differ,
   so 485 + 317 = 802 here against s10's 900. The rules below are s10's,
   renamed, so the two blocks cannot drift apart by accident.

   252 heading + 50 + 802 = 1104.
   ========================================================================== */

.s-ds5 .s-ds5__bleed {
  --bleed-stop: 15.075%;
  display: flex;
  flex-direction: column;
  align-items: flex-end;       /* the 935 heading is pinned right, at 253 */
  gap: 50px;
}

/* --- Heading half, macket 253,0 · 935 x 252 ------------------------------ */
.s-ds5 .s-ds5__intro {
  width: 78.70370%;            /* 935 / 1188 */
  display: flex;
  flex-direction: column;
  align-items: center;
  gap: var(--layout-gutter);
}

/* The Comforter word lies over the Mulish heading in one grid cell. The
   heading sits 50 down inside the 85-tall group; the accent starts at 0.  */
.s-ds5 .s-ds5__title {
  display: grid;
  width: 100%;
  text-align: center;
  font: inherit;
}
.s-ds5 .s-ds5__title > * {
  grid-area: 1 / 1;
  width: 100%;
}
.s-ds5 .s-ds5__title-accent {
  color: var(--amber-4);
}
.s-ds5 .s-ds5__title-main {
  margin-top: 50px;
}

/* 885 of the 935, centred: the block's own 25 either side. */
.s-ds5 .s-ds5__copy {
  width: 94.65241%;            /* 885 / 935 */
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
}

.s-ds5 .s-ds5__lede {
  text-align: center;
}

/* Two 430 columns with the 25 gutter: 430 * 2 + 25 = 885. The left column
   is set ragged-left, the right ragged-right, so the pair reads as one
   block opening outwards from the gutter.                                  */
.s-ds5 .s-ds5__paths {
  display: grid;
  grid-template-columns: repeat(2, minmax(0, 1fr));
  gap: var(--layout-gutter);
  align-items: start;
}

.s-ds5 .s-ds5__path--stay {
  text-align: right;
}

/* --- Testimonial half, macket 0,302 · 1188 x 802 ------------------------- */
.s-ds5 .s-ds5__plate {
  position: relative;
  width: 100%;
  padding-top: 485px;          /* macket y of the quote panel */
}

/* Amber band, macket 0 - 935 x 0 - 225. */
.s-ds5 .s-ds5__band {
  position: absolute;
  left: 0;
  top: 0;
  width: 78.70370%;            /* 935 / 1188 */
  height: 225px;
  background: var(--amber-4);
  z-index: 0;
}

/* Photograph, macket 253,50 · 935 x 526. */
.s-ds5 .s-ds5__media {
  position: absolute;
  left: 21.29630%;             /* 253 / 1188 */
  top: 50px;
  width: 78.70370%;            /* 935 / 1188 */
  margin: 0;
  z-index: 1;
}

.s-ds5 .s-ds5__media img {
  width: 100%;
  aspect-ratio: 935 / 526;
  object-fit: cover;
}

/* The band, at half opacity, carried across the top of the photograph. In
   the file this is the same rectangle masked by the photograph; the
   intersection is 935 − 253 wide and 225 − 50 tall, measured from the
   photograph's own corner.                                                 */
.s-ds5 .s-ds5__tint {
  position: absolute;
  left: 0;
  top: 0;
  width: 72.94118%;            /* 682 / 935 */
  height: 175px;
  background: var(--amber-4);
  opacity: 0.5;
}

/* "AUTHOR" over "TESTIMONIAL", centred on the photograph. */
.s-ds5 .s-ds5__lockup {
  position: absolute;
  left: 60.60606%;             /* 720 / 1188 — the photograph's centre line */
  top: 300px;
  width: 55.38721%;            /* 658 / 1188 */
  transform: translateX(-50%);
  display: grid;
  text-align: center;
  z-index: 2;
}

.s-ds5 .s-ds5__lockup > * {
  grid-area: 1 / 1;
}

.s-ds5 .s-ds5__script {
  color: var(--editorial-white-4);
  z-index: 1;                  /* the handwriting sits over the Mulish word */
}

.s-ds5 .s-ds5__word {
  margin-top: 50px;
  color: var(--amber-4);
}

/* --- Quote panel, macket 505,485 · 430 x 317 ----------------------------- */
.s-ds5 .s-ds5__quote {
  position: relative;
  z-index: 3;
  margin: 0 0 0 42.50842%;     /* 505 / 1188 */
  width: 36.19529%;            /* 430 / 1188 */
  padding: 25px 25px 50px;
  background: var(--vista-blue-1);
}

.s-ds5 .s-ds5__quote-text,
.s-ds5 .s-ds5__byline {
  margin: 0;
  display: block;
  text-align: center;
  color: var(--rich-black-1);
}

.s-ds5 .s-ds5__quote-text {
  margin-bottom: var(--layout-gutter);
}

.s-ds5 .s-ds5__byline {
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
}

.s-ds5 .s-ds5__name {
  color: var(--editorial-white-4);
}

/* ===== discovery-sprint/ds6.css ===== */
/* ==========================================================================
   Discovery Sprint — block 6, FAQ
   Figma: node 557:3286 "Section 6", 885 x 706, macket x 277.5.
   Card component: the screen's own Discovery_S6_Card, whose variants keep the
   homepage's names — `Home_S13_Card_1..5` × `Pas` / `Act`. Pas rows are
   557:3128 / 3132 / 3136 / 3140 / 3144, Act rows 557:3148 / 3154 / 3160 /
   3166 / 3172.

   885 is eight columns with their gutters, centred in the working area.
   85 heading + 50 + 460 list + 50 + 61 button = 706.

   The row geometry is Main's section 13 exactly — 61 collapsed, 25 between
   rows, 25 / 25 / 25 / 50 of trigger padding and a 607 answer column inset
   50 from the left with 228 left empty on the right — so the rules below are
   s13's, renamed. Two things differ and only two: the plate is Rich Black 3
   instead of Editorial White 4, and the section has no full-window fill
   behind it.
   ========================================================================== */

.s-ds6 .s-ds6__inner {
  grid-column: 3 / span 8;
  display: flex;
  flex-direction: column;
  align-items: center;
  gap: 50px;
}

/* --- Heading ------------------------------------------------------------
   The Comforter word lies over the Mulish heading in one grid cell. The
   heading sits 50 down inside the 85-tall group; the accent starts at 0.  */
.s-ds6 .s-ds6__title {
  display: grid;
  width: 100%;
  text-align: center;
  font: inherit;
}
.s-ds6 .s-ds6__title > * {
  grid-area: 1 / 1;
  width: 100%;
}
.s-ds6 .s-ds6__title-accent {
  color: var(--amber-4);
}
.s-ds6 .s-ds6__title-main {
  margin-top: 50px;
}

/* --- List and the closing line ------------------------------------------
   The note is the sixth item of the same 25-gap stack in the file, not a
   separate block, so it shares the list's gap.                            */
.s-ds6 .s-ds6__body {
  width: 100%;
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
}

.s-ds6 .s-ds6__list {
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
}

/* --- Rows ---------------------------------------------------------------
   Collapsed row is 61: 25 + cap height 11 + 25.                           */
.s-ds6 .s-ds6__item {
  background: var(--rich-black-3);
}
.s-ds6 .s-ds6__question {
  font: inherit;
}
.s-ds6 .s-ds6__trigger {
  display: flex;
  align-items: center;
  justify-content: space-between;
  gap: var(--layout-gutter);
  width: 100%;
  padding: 25px 25px 25px 50px;
  border: 0;
  background: none;
  text-align: left;
  cursor: pointer;
}
.s-ds6 .s-ds6__label {
  color: var(--content-primary);
}

/* The chevron is Main_S11_Arrows: a 45-degree rule, 21.213 x 10.607. The
   same file the homepage already ships, reused rather than re-exported.   */
.s-ds6 .s-ds6__chevron {
  flex: 0 0 auto;
  width: 21.213px;
  height: 10.607px;
  transition: transform var(--t-base) ease;
}
.s-ds6 .s-ds6__item.is-open .s-ds6__chevron {
  transform: rotate(180deg);
}

/* --- Panel --------------------------------------------------------------
   Animated on grid-template-rows so the real content height is measured
   instead of guessed with a max-height. visibility keeps the collapsed
   answer out of the accessibility tree once the transition has finished. */
.s-ds6 .s-ds6__panel {
  display: grid;
  grid-template-rows: 0fr;
  transition: grid-template-rows var(--t-base) ease;
}
.s-ds6 .s-ds6__panel-inner {
  overflow: hidden;
  visibility: hidden;
  transition: visibility 0s linear var(--t-base);
}
.s-ds6 .s-ds6__item.is-open .s-ds6__panel {
  grid-template-rows: 1fr;
}
.s-ds6 .s-ds6__item.is-open .s-ds6__panel-inner {
  visibility: visible;
  transition-delay: 0s;
}

/* Open row: 25 + question + 50 + answer + 50. 25 of the 50 between question
   and answer is the trigger's own bottom padding, which is what keeps the
   collapsed row at 61; the other 25 is here. The answer column is 607 wide —
   228 stays empty on the right, as the Act variants draw it.              */
.s-ds6 .s-ds6__answer {
  padding: 25px 228px 50px 50px;
  color: var(--content-primary);
}

.s-ds6 .s-ds6__note {
  text-align: center;
}

/* --- Button_form, 293 x 61, centred ------------------------------------- */
.s-ds6 .s-ds6__cta {
  display: inline-flex;
  align-items: center;
  justify-content: center;
  padding: 25px;
  white-space: nowrap;
  background: var(--action-fill);
  box-shadow: inset 0 0 0 3px var(--action-fill);
  color: var(--content-on-accent);
  cursor: pointer;
  transition: background-color var(--t-base), box-shadow var(--t-base);
}

.s-ds6 .s-ds6__cta:hover,
.s-ds6 .s-ds6__cta:focus-visible {
  background: var(--action-fill-hover);
  box-shadow: inset 0 0 0 3px var(--action-border-hover);
}

/* ===== m-base.css ===== */
/* ==========================================================================
   Mobile foundation — Figma page "Mobile", hand-off document v1.0.
   Load AFTER every desktop stylesheet. See CONTRACT_MOBILE.md.

   The whole file is one media query. Below 1024 this layer overrides the
   desktop layer; at 1024 and up not a single rule here applies, so the
   desktop layout is untouched byte for byte.

   Why an overlay rather than two wrapped halves: the desktop CSS is live and
   already verified. Wrapping it would rewrite every one of its rules to prove
   a layout that is not changing. This way the desktop bytes stay as they are
   and the mobile layer states only its differences.
   ========================================================================== */

@media (max-width: 1023.98px) {

  /* --- 3.1 Grid ---------------------------------------------------------
     402 reference · 6 columns · Stretch · margin 25 · gutter 25
     Working area 352. Column 37.83 is derived and written nowhere.        */
  :root {
    --m-reference: 402px;
    --m-margin:    25px;
    --m-gutter:    25px;
    --m-content:   352px;   /* at the reference width                      */
    --m-max:       430px;   /* the column stops growing here (3.2)         */

    /* 4. Three gaps carry 94 % of 3 010 Auto Layout nodes. */
    --m-gap-tight: 10px;
    --m-gap-mid:   15px;
    --m-gap:       25px;
    --m-gap-block: 50px;
    --m-gap-big:   75px;

    /* 9.1 Header: logo at y 59, rule at y 89. */
    --m-header-h:  89px;

    /* 5.2 Touch targets grow from the centre toward this. */
    --m-tap:       44px;
  }

  /* --- 3.2 Reflow -------------------------------------------------------
     The desktop floor is 1200 and it is what puts a horizontal scrollbar on
     a phone. Below the breakpoint there is no floor: the page is as wide as
     the window and never wider.                                           */
  body {
    min-width: 0;
    overflow-x: clip;
  }

  /* Working area. Below 430 it stretches with the window and the 25 margins
     hold; above 430 it stops at 380 and centres, and the window fills with
     the page ground. Nothing scales — sizes and spacing are the macket's.  */
  .container {
    width: min(100% - var(--m-margin) * 2, calc(var(--m-max) - var(--m-margin) * 2));
    margin-inline: auto;
  }

  /* 6 columns, not 12. A block that asked for the desktop grid gets the
     mobile one without having to know which layer it is in.               */
  .grid12 {
    grid-template-columns: repeat(6, 1fr);
    gap: var(--m-gutter);
  }

  /* --- Intent tags ------------------------------------------------------
     `flow` on mobile is a single column: two 430-basis children side by side
     cannot fit 352. Bleed keeps its meaning — the full window, which above
     430 is wider than the column.                                          */
  .is-flow { display: block; }
  .is-flow > * + * { margin-top: var(--m-gap); }

  .is-bleed-left,
  .is-bleed-right,
  .is-bleed-both,
  .m-bleed {
    width: 100vw;
    margin-left: calc(50% - 50vw);
    margin-right: 0;
  }

  /* --- 3.1 Background lines ---------------------------------------------
     Unlike desktop, where the line layer spans the page, `BackgroundLines`
     on mobile is 352 wide and starts below the header — it lives inside the
     working area. The desktop layer's seven lines at 12.5 % of the window
     are wrong here and are switched off; each screen draws its own set
     inside its own container.                                              */
  .page > .gridlines { display: none; }

  /* --- 5.6 Touch targets ------------------------------------------------
     The area grows from the centre of the element toward 44 on each axis,
     independently, and never moves or resizes what is drawn. Where a
     neighbour is closer than 44, the block sets --tap-h (or --tap-w) to
     twice the half-gap for EVERY item in that row, so the row is even under
     the thumb (5.3).

     ::after and not padding: padding would move the element.               */
  .m-tap { position: relative; }
  .m-tap::after {
    content: "";
    position: absolute;
    left: 50%;
    top: 50%;
    transform: translate(-50%, -50%);
    width:  max(100%, var(--tap-w, var(--m-tap)));
    height: max(100%, var(--tap-h, var(--m-tap)));
  }

  /* An indicator is not a target: carousel dots and arrows show that more
     exists, they do not move anything (5.7).                               */
  .m-indicator { pointer-events: none; }

  /* --- 7 Type -----------------------------------------------------------
     Eleven of the twelve mobile styles are the desktop values unchanged —
     the 15 and 25 sizes are the same file-wide. Only the Comforter accent
     differs, and it differs by half: 50 on mobile against 100 on desktop.
     The styles are named "… Mobile" in Figma for exactly this reason.      */
  .t-heading-accent,
  .t-heading-accent-small { font-size: 50px; }

  /* 7.2 The one style with no desktop counterpart: the numeral on the error
     page. 500 is the size, not a typo.                                     */
  .t-404 {
    font-family: "Comforter", cursive;
    font-weight: 400;
    font-size: 500px;
    letter-spacing: 0.05em;
  }

  /* --- 3.2 Long pages ---------------------------------------------------
     Screens run to 14 382. Smooth anchor scrolling has to clear the pinned
     header or the target lands underneath it.                              */
  :target { scroll-margin-top: calc(var(--m-header-h) + var(--m-gap)); }

}

/* ==========================================================================
   Layer switch. A page carries both sets of blocks; each layer hides the
   other's. The mobile blocks are marked `is-m` by the screen that writes
   them; everything else in <main> is the desktop layer.

   The second query is the only rule in this file that applies at 1024 and up,
   and it can only hide blocks that a desktop-only build never emits — so the
   desktop layer is still untouched.
   ========================================================================== */
@media (max-width: 1023.98px) {
  .page > main > section:not(.is-m) { display: none; }
  .page > main > .is-m + .is-m { margin-top: var(--gap-m, var(--m-gap-big)); }
  .page > main > .is-m:first-child { margin-top: 0; }
}
@media (min-width: 1024px) {
  .page > main > .is-m { display: none; }
}

/* ===== m-header.css ===== */
/* ==========================================================================
   Mobile header and menu — Figma `Menu_mob` 1244:11197.
   Inside the mobile media query; nothing here exists at 1024 and up.
   ========================================================================== */

@media (max-width: 1023.98px) {

  /* The desktop header and its three sub-rows do not appear on a phone: the
     mobile menu is an overlay with its own, flatter list. */
  .page > .site-header { display: none; }

  .m-header[hidden] { display: block; }   /* `hidden` is for the no-CSS case */

  .m-header {
    position: sticky;
    top: 0;
    z-index: 10;
    height: var(--m-header-h);            /* 89 — the rule sits on the edge   */
  }
  .page > .m-header { position: sticky; z-index: 10; }

  /* 8. The one effect in the whole mobile version. */
  .m-header__plate {
    position: absolute;
    inset: 0;
    z-index: 0;
    background: var(--header-plate);
    -webkit-backdrop-filter: blur(var(--header-blur));
    backdrop-filter: blur(var(--header-blur));
  }

  /* Logo at 25,59. Its touch area reaches 44 on the vertical — the room is
     there, and nothing else is near it. */
  .m-header__logo {
    position: absolute;
    z-index: 2;
    left: var(--m-margin);
    top: 59px;
    --tap-w: 107px;
  }
  .m-header__logo img { width: auto; height: 15px; }

  /* The button at 332,49 is 70 × 40 in the file: wide enough across, four
     pixels short down. The area takes the full 44 on both axes; the nearest
     other target is the logo, 200 away. */
  .m-header__toggle {
    position: absolute;
    z-index: 2;
    right: var(--m-margin);
    top: 49px;
    width: 45px;
    height: 40px;
    display: grid;
    place-items: center;
    padding: 0;
    border: 0;
    background: none;
    cursor: pointer;
  }

  /* Three bars drawn in CSS, as the file draws them — not an exported icon. */
  .m-header__bars,
  .m-header__bars::before,
  .m-header__bars::after {
    display: block;
    width: 20px;
    height: 2px;
    background: var(--content-primary);
  }
  .m-header__bars { position: relative; }
  .m-header__bars::before,
  .m-header__bars::after { content: ""; position: absolute; left: 0; }
  .m-header__bars::before { top: -6px; }
  .m-header__bars::after  { top:  6px; }

  /* Line 54 at y 89, 352 wide — inside the working area, not edge to edge. */
  .m-header__rule {
    position: absolute;
    left: 50%;
    transform: translateX(-50%);
    bottom: 0;
    width: min(100% - var(--m-margin) * 2, calc(var(--m-max) - var(--m-margin) * 2));
    margin: 0;
    border: 0;
    border-top: var(--line-width) solid var(--line-color);
  }

  /* --- The overlay ------------------------------------------------------
     402 × 830 in the file, anchored under the header. On a real phone it
     takes the window, because a fixed height would leave the page showing
     under it on a tall screen and cut the buttons off on a short one.     */
  .page > .m-header { position: sticky; z-index: 10; }
  .page > .m-menu   { position: fixed;  z-index: 20; }

  .m-menu {
    position: fixed;
    inset: 0;
    z-index: 20;
    background: var(--surface-page);
    overflow-y: auto;
    overscroll-behavior: contain;
  }
  .m-menu[hidden] { display: none; }

  .m-menu__inner {
    display: flex;
    flex-direction: column;
    min-height: 100%;
    padding-block: 49px var(--m-gap-block);
  }

  /* Close at 332,0 · 45 × 40 with a 20 × 20 glyph, then the rule at y 40. */
  .m-menu__head { position: relative; height: 40px; }

  .m-menu__close {
    position: absolute;
    right: 0;
    top: 0;
    width: 45px;
    height: 40px;
    display: grid;
    place-items: center;
    padding: 0;
    border: 0;
    background: none;
    cursor: pointer;
  }
  .m-menu__close span,
  .m-menu__close span::before,
  .m-menu__close span::after { display: block; }
  .m-menu__close span {
    position: relative;
    width: 20px;
    height: 20px;
  }
  .m-menu__close span::before,
  .m-menu__close span::after {
    content: "";
    position: absolute;
    left: 0;
    top: 9px;
    width: 20px;
    height: 2px;
    background: var(--content-primary);
  }
  .m-menu__close span::before { transform: rotate(45deg); }
  .m-menu__close span::after  { transform: rotate(-45deg); }

  .m-menu__rule,
  .m-menu__list li + li {
    border: 0;
    border-top: var(--line-width) solid var(--line-color);
  }
  .m-menu__rule { position: absolute; bottom: 0; left: 0; right: 0; margin: 0; }

  /* Nine items on a 41 step: the label sits 15 below its own rule, the row is
     26 tall. 41 between centres is under 44, so by 5.2 every area takes half
     the gap on each side — 41 — and by 5.3 every item in the list takes the
     same one, so the first and last are not larger than the rest. */
  .m-menu__list { margin-top: var(--m-gap); }
  .m-menu__list li { padding-bottom: 15px; }
  /* 15 above the label and 15 below gives a 42 step, not the file's 41: in
     Figma the rule is a zero-height line, in CSS it is a real pixel. The
     padding above absorbs it so the step lands on 41 exactly. */
  .m-menu__list li + li { padding-top: 14px; }
  .m-menu__list a { display: block; --tap-h: 41px; }

  /* The two calls to action and the address, at the foot of the overlay.
     `margin-top: auto` pins them down however tall the window is, which is
     what the file's fixed 646 does on a 830 frame. */
  .m-menu__foot {
    margin-top: auto;
    padding-top: var(--m-gap-big);
    display: grid;
    justify-items: center;
    gap: var(--m-gap-mid);
  }

  .m-menu__foot .m-btn {
    display: grid;
    place-items: center;
    width: 253px;
    max-width: 100%;
    height: 41px;
    text-align: center;
  }
  .m-menu__foot .m-btn--fill {
    background: var(--action-fill);
    color: var(--content-on-accent);
  }
  .m-menu__foot .m-btn--line {
    box-shadow: inset 0 0 0 3px var(--border-strong);
    color: var(--content-primary);
  }

  .m-menu__mail { margin-top: calc(var(--m-gap-block) + 6px); }
  .m-menu__mail a { --tap-h: 44px; }

  /* While the overlay is open the page underneath does not scroll. */
  body.is-m-menu-open { overflow: hidden; }

}

/* The mobile chrome exists in the markup at every width; only the media query
   keeps it off the desktop layer. `hidden` is removed by the script as soon
   as it runs, so without this the header renders twice above 1024. */
@media (min-width: 1024px) {
  .m-header, .m-menu, .m-footer { display: none !important; }
}

/* ===== m-footer.css ===== */
/* ==========================================================================
   Mobile footer — Figma `Footer_m` 1774:15900, 402 × 449.
   Inside the mobile media query; nothing here exists at 1024 and up.
   ========================================================================== */

@media (max-width: 1023.98px) {

  .page > .site-footer { display: none; }
  .m-footer[hidden] { display: block; }

  /* The file leaves 75 between the last block and the footer. The desktop
     layer sets its own gap on .site-footer, which is hidden down here, so
     this one has to be stated. */
  .page > .m-footer { margin-top: var(--m-gap-big); }

  .m-footer {
    background: var(--surface-brand);
    color: var(--content-on-brand);
    text-align: center;
  }

  /* The block runs edge to edge; the content keeps the 25 margins. */
  .m-footer__inner { padding-block: var(--m-gap) var(--m-gap-block); }

  .m-footer__logo {
    display: inline-block;
    --tap-h: 44px;
    --tap-w: 107px;
  }
  .m-footer__logo img { width: auto; height: 15px; }

  /* Three groups. The file sets them 10 apart, not 25: `Frame 481` runs
     logo 15 · 10 · group 169 · 10 · group 62 · 10 · group 98 = 374, which
     with the 25 above and 50 below is the footer's 449. The 25 that stood
     here was what made the block 46 too tall on all 37 screens. */
  .m-footer__group { margin-top: var(--m-gap-tight); }
  .m-footer__rule {
    margin: 0 0 var(--m-gap-mid);
    border: 0;
    border-top: var(--line-width) solid var(--content-on-brand);
  }

  /* Two lines, 30 tall in the file: 11 a line on a 19 step. */
  .m-footer__tagline { margin-inline: auto; max-width: 30ch; line-height: 19px; }

  /* Three marks on a 50 step: 50 between centres clears 44, so each area is
     the full 44 × 44 and they still do not touch. */
  .m-footer__social {
    display: flex;
    justify-content: center;
    gap: 25px;
    margin-top: var(--m-gap);
  }
  .m-footer__social a { display: block; }

  /* `text-box-trim` only takes effect on a block box: a bare <span> inside a
     grid is still inline, the trim is ignored, and the line keeps its full
     leading. Every trimmed label here is blockified for that reason — the
     same trap that put 202px of drift into the FAQ.
     Figma writes the three address lines on an 18 step from a 49-tall box. */
  .m-footer__office span { display: block; }
  .m-footer__office {
    display: grid;
    gap: 7px;
    margin-top: var(--m-gap);
    font-style: normal;
  }

  /* 5.3 — one row, one size. The step is 36 in the file, so every link in
     both lists takes a 36 band: the rows stay even under the thumb and no
     two areas meet. This is the floor the contract records at §5.4.        */
  .m-footer__reach,
  .m-footer__legal {
    display: grid;
    gap: 25px;
  }
  /* `block`, not `inline-block`: an inline-block still sits in a line box, so
     the <li> keeps the full leading even after the label itself is trimmed and
     the row measures 19 where the file measures 11. */
  .m-footer__reach a,
  .m-footer__legal a {
    display: block;
    --tap-h: 36px;
  }

  .m-footer__legal a { color: var(--content-on-inverse); }

}

/* ===== m-up.css ===== */
/* ==========================================================================
   Mobile "up" control — Figma `Button_form` 41 × 52, drawn at 25,143 on all
   37 screens. Contract §9.2.
   ========================================================================== */

@media (max-width: 1023.98px) {

  /* The desktop control is 61 × 72 and sits at the desktop margin; the mobile
     one is its own size at its own place, so the shared element is restyled
     rather than duplicated. */
  .site-up { position: relative; }
  .site-up::after {
    content: "";
    position: absolute;
    left: 50%;
    top: 50%;
    transform: translate(-50%, -50%);
    width:  max(100%, var(--tap-w, var(--m-tap)));
    height: max(100%, var(--tap-h, var(--m-tap)));
  }

  .site-up {
    position: fixed;
    left: var(--m-margin);
    bottom: var(--m-margin);
    padding: 0;
    width: 41px;
    height: 52px;

    /* 5.5 — three pixels short across. The room is there: the nearest other
       target is the footer, and on a scrolled page nothing sits beside it. */
    --tap-w: 44px;
    --tap-h: 52px;
  }

  /* The file draws it at y 143, under the header. As a floating control it
     keeps the file's x and moves to the foot of the window, out of the
     reading column — the same decision as on desktop, and for the same
     reason: at 143 it would sit on whatever band is passing under it. */

  .site-up__label { font-size: 15px; }

}

/* ===== discovery-sprint/m1.css ===== */
/* ==========================================================================
   Discovery Sprint mobile — block 1, the hero.
   Figma: `Discovery Sprint_m` 1244:14468 / "Section 1" 1244:14480, 402 x 723.

     photo        348.5 x 379, centred, on the page ground at the top
     plate        Vista Blue 1, full window, from y 379 of the block
     copy         352 working area, 25 under the plate's top edge
     lockup       "A SAFE" in Comforter over "STARTING POINT, BEFORE FULL
                  PRODUCTION"; the Mulish word hangs 15 down and 6 in
     lede         15 under the lockup
     offer        25 under the lede
     button       25 under the offer and flush with the plate's bottom edge —
                  the file gives the plate no bottom padding, which is why the
                  amber runs straight into Section 2's blue

   This file also carries the vocabulary the screen's seven blocks share: the
   heading lockup (`Group 89` / `Group 90`) and the button (`Button_form`).
   They are one component each in the file, so they are written once here
   rather than copied into seven stylesheets.

   The whole file is one media query; nothing here exists at 1024 and up.
   ========================================================================== */

@media (max-width: 1023.98px) {

  /* ======================================================================
     Shared (dm- : discovery mobile; m- is taken by the shared mobile layer)

     The heading lockup — Figma `Group 89` / `Group 90`.
     Comforter 50 and Mulish 25 share one cell and the script is drawn over
     the word. The group is as tall as the script's cap height, 38; the word
     hangs 15 below the top of the group and is inset 6 from the left, which
     is what the 10 % tracking on the last letter takes back.

     The script is Amber 4 on five of the seven blocks. On the two that sit
     on the blue plate it is Editorial White 4, so the colour is a token with
     a default rather than a rule written twice.
     ====================================================================== */
  .dm-lockup { display: grid; gap: var(--m-gap-mid); font: inherit; text-align: center; }
  .dm-lockup__line { display: grid; }
  .dm-lockup__line > * { grid-area: 1 / 1; }
  .dm-lockup__word { margin-top: var(--m-gap-mid); margin-left: 6px; }
  .dm-lockup__script { color: var(--content-accent); }
  .dm-lockup__script--pale { color: var(--editorial-white-4); }

  /* ======================================================================
     Shared: `Button_form`, 198 x 61.
     25 of padding + the label's 11 cap height + 25 = 61, and 25 + the 148
     label + 25 = 198, so both sizes come from the label rather than being
     set here. Three blocks carry it — 1, 3 and 7 — and each centres it.

     A block-level flex box rather than an inline one: inline-level children
     sit on a text baseline, which would leave the strut's descender under the
     button, and on this block the file puts the button flush with the plate's
     bottom edge with nothing under it at all.
     ====================================================================== */
  .dm-btn {
    display: flex;
    width: max-content;
    max-width: 100%;
    margin-inline: auto;
    align-items: center;
    justify-content: center;
    padding: var(--m-gap);
    border: 0;
    background: var(--action-fill);
    color: var(--content-on-accent);
    text-align: center;
    cursor: pointer;
  }

  /* ======================================================================
     Shared: the plates. Four grounds carry copy on this screen and each is
     25 all round — Figma's `Frame 279` / `Frame 366` / `Frame 459` sit at
     25,25 inside a 352 box with a 302 content width.
     ====================================================================== */
  .dm-plate { padding: var(--m-gap); }

  /* ======================================================================
     Block 1
     ====================================================================== */

  .s-dm1 { display: flow-root; }

  /* --- 3.1 Background lines --------------------------------------------
     `BackgroundLines` 1244:14469: four lines at 0, 33.33, 66.67 and 100 per
     cent of the working area — Figma x 25 · 142.33 · 259.67 · 377 on the 402
     macket — starting under the header and running the length of the screen.
     The file draws one continuous set, so one layer is drawn here and
     positioned against <main>, which base.css has already made the nearest
     positioned ancestor. z-index -1 keeps it under every plate and word, and
     the cut-out portrait's alpha lets it read through between her arms.    */
  .s-dm1__lines {
    position: absolute;
    top: 0;
    bottom: 0;
    left: 0;
    right: 0;
    z-index: -1;
    pointer-events: none;
  }
  .s-dm1__lines > .container { position: relative; height: 100%; }
  .s-dm1__lines i {
    position: absolute;
    top: 0;
    bottom: 0;
    width: var(--line-width);
    background: var(--line-color);
  }
  .s-dm1__lines i:nth-child(1) { left: 0; }
  .s-dm1__lines i:nth-child(2) { left: 33.333%; }
  .s-dm1__lines i:nth-child(3) { left: 66.667%; }
  .s-dm1__lines i:nth-child(4) { right: 0; }

  /* --- The portrait -----------------------------------------------------
     The file centres it at 26.75 from each edge of the 402 macket; that is
     the 25 margin plus the 1.75 of transparent ground the cut-out carries,
     so it is drawn at the working area's own width and stays inside the
     margin at every window size.                                           */
  .s-dm1__photo { width: 100%; height: auto; }

  /* --- The blue plate ---------------------------------------------------
     `Frame 518` 1244:14486, 402 wide: full window below 430 and full window
     above it too, since the file's blue is a surface and §3.2 sends surfaces
     the whole width while the copy stays in the 352 column.                */
  .s-dm1__panel {
    background: var(--surface-brand);
    color: var(--content-on-brand);
    padding-top: var(--m-gap);
  }

  .s-dm1__copy { text-align: center; }
  .s-dm1__lede  { margin-top: var(--m-gap-mid); }
  .s-dm1__offer { margin-top: var(--m-gap); }
  .s-dm1__copy .dm-btn { margin-top: var(--m-gap); }

}

/* ===== discovery-sprint/m2.css ===== */
/* ==========================================================================
   Discovery Sprint mobile — block 2, what you get.
   Figma: "Section 2" 1244:14495, 402 x 892; content `Frame 527` 1244:14496,
   352 x 767, inset 25 across and 75 down.

     ground       Vista Blue 1, full window, 75 of padding on top and 50 under
     head         lockup, then the caption 15 below it
     cards        25 under the caption, 15 apart, 25 of padding each
     row          title left, numeral right in its own 38 box, Amber 4
     body         25 under the row
     note         25 under the last card

   Card heights. The file draws all four at 135 although cards one and two
   only carry 116 of content — the four sit in one Auto Layout row and take
   the tallest. That is reproduced as an equal-height grid, not as a height:
   the row is still as tall as its own tallest card, so a longer line grows
   the set instead of being clipped.
   ========================================================================== */

@media (max-width: 1023.98px) {

  .s-dm2__ground {
    background: var(--surface-brand);
    color: var(--content-on-brand);
    padding-block: var(--m-gap-big) var(--m-gap-block);
  }

  .s-dm2__sub { margin-top: var(--m-gap-mid); text-align: center; }

  .s-dm2__cards {
    display: grid;
    grid-auto-rows: 1fr;          /* the four cards share the tallest height */
    gap: var(--m-gap-mid);
    margin-top: var(--m-gap);
  }

  .s-dm2__card {
    background: var(--surface-page);
    color: var(--content-primary);
  }

  /* `Frame 520`: the title takes what is left of the 302, the numeral keeps
     its own 38 at the right end. */
  .s-dm2__row {
    display: grid;
    grid-template-columns: 1fr auto;
    align-items: start;
    gap: var(--m-gap-tight);
  }
  .s-dm2__num { color: var(--content-accent); }

  .s-dm2__body { margin-top: var(--m-gap); }

  .s-dm2__note { margin-top: var(--m-gap); text-align: center; }

}

/* ===== discovery-sprint/m3.css ===== */
/* ==========================================================================
   Discovery Sprint mobile — block 3, how it works.
   Figma: "Section 3" 1244:14528, 402 x 892; content `Frame 528` 1244:14529,
   352 x 767, inset 25 across and 75 down.

     ground       Rich Black 3, full window, 75 of padding on top and 50 under
     head         lockup, then the caption 15 below it
     stages       25 under the caption, 15 apart, 25 of padding each
     row          the numeral in its own 18 box, Vista Blue 1, then 15, then
                  the stage name
     body         15 under the row — tighter than block 2's 25, which is what
                  the file draws
     button       15 under the last stage, centred

   The four stages are 144 / 125 / 125 / 144 in the file: each is its own
   copy's height, so nothing is equalised here.
   ========================================================================== */

@media (max-width: 1023.98px) {

  .s-dm3__ground {
    background: var(--rich-black-3);
    color: var(--content-primary);
    padding-block: var(--m-gap-big) var(--m-gap-block);
  }

  .s-dm3__sub { margin-top: var(--m-gap-mid); text-align: center; }

  .s-dm3__stages {
    display: grid;
    gap: var(--m-gap-mid);
    margin-top: var(--m-gap);
  }

  .s-dm3__stage {
    background: var(--surface-page);
    color: var(--content-primary);
  }

  /* `Frame 278`: the numeral holds an 18 column and the name starts 15 after
     it, so a two-digit numeral never pushes the name out of line. */
  .s-dm3__row {
    display: grid;
    grid-template-columns: 18px 1fr;
    align-items: start;
    gap: var(--m-gap-mid);
  }
  .s-dm3__num { color: var(--vista-blue-1); }

  .s-dm3__body { margin-top: var(--m-gap-mid); }

  .s-dm3__cta { margin-top: var(--m-gap-mid); }

}

/* ===== discovery-sprint/m4.css ===== */
/* ==========================================================================
   Discovery Sprint mobile — block 4, who the Sprint fits.
   Figma: "Section 4" 1244:14561, 352 x 1072, at the left margin — the block
   never leaves the working area, so there is no bleed here.

     lockup       centred, alone on its line — no caption on this block
     cards        25 under the lockup, 15 apart
     card         a 25-padded copy plate with the photograph closed up under
                  it: `Rectangle 108` starts at the copy plate's own bottom
                  edge, with no gap
     copy lines   the label, then each paragraph 25 under the one before

   The two cards do not share a ground: card one is Rich Black 1 with
   Editorial White 4 copy, card two is Rich Black 3 with Rich Black 1 copy,
   exactly as the desktop set does.
   ========================================================================== */

@media (max-width: 1023.98px) {

  .s-dm4__cards {
    display: grid;
    gap: var(--m-gap-mid);
    margin-top: var(--m-gap);
  }

  .s-dm4__copy > * + * { margin-top: var(--m-gap); }

  .s-dm4__card--good .s-dm4__copy {
    background: var(--surface-inverse);
    color: var(--content-on-inverse);
  }
  .s-dm4__card--later .s-dm4__copy {
    background: var(--rich-black-3);
    color: var(--content-primary);
  }

  .s-dm4__photo { width: 100%; height: auto; }

}

/* ===== discovery-sprint/m5.css ===== */
/* ==========================================================================
   Discovery Sprint mobile — block 5, yours to keep.
   Figma: "Section 5" 1244:14584, 352 x 378, at the left margin.

     head         lockup, then the caption 15 below it
     plates       25 under the caption, 15 apart, 25 of padding each
     heights      118 and 137 in the file — four lines and five lines of the
                  same copy, so the height is the paragraph's, not a size set
                  here
   ========================================================================== */

@media (max-width: 1023.98px) {

  .s-dm5__sub { margin-top: var(--m-gap-mid); text-align: center; }

  .s-dm5__plates {
    display: grid;
    gap: var(--m-gap-mid);
    margin-top: var(--m-gap);
  }

  .s-dm5__plate {
    background: var(--surface-brand);
    color: var(--content-on-brand);
  }

}

/* ===== discovery-sprint/m6.css ===== */
/* ==========================================================================
   Discovery Sprint mobile — block 6, the author testimonial.
   Figma: "Section 6" 1244:14597, 352 x 546.

     photo        352 x 198, `Group 108` 1244:14598
     lockup       `Group 90` 1244:14600 sits at y 80 and is 38 tall, so its
                  centre is 99 — exactly half the photograph. It is centred on
                  the picture rather than offset by 80, which keeps it centred
                  when the picture narrows with the window.
     plate        25 under the photograph, Vista Blue 1, 25 of padding
     quote        centred, then the name 25 under it, then the book 25 under
                  the name

   The lockup inverts the usual pair: the script is Amber 4 and the Mulish
   word is Editorial White 4, because both are read against a photograph.
   ========================================================================== */

@media (max-width: 1023.98px) {

  .s-dm6__media {
    position: relative;
    display: grid;
  }
  .s-dm6__photo { width: 100%; height: auto; }

  .s-dm6__lockup {
    position: absolute;
    left: 0;
    right: 0;
    top: 50%;
    transform: translateY(-50%);
  }
  .s-dm6__word { color: var(--content-on-inverse); }

  .s-dm6__quote {
    margin-top: var(--m-gap);
    background: var(--surface-brand);
    color: var(--content-on-brand);
    text-align: center;
  }
  .s-dm6__author { margin-top: var(--m-gap); }
  .s-dm6__book   { margin-top: var(--m-gap); }

}

/* ===== discovery-sprint/m7.css ===== */
/* ==========================================================================
   Discovery Sprint mobile — block 7, the FAQ and the closing call.
   Figma: "Section 7" 1244:14609, 352 x 721; `Discovery_S6_Card_m` 1244:12567.

     rows     25 under the lockup, 15 apart
     closed   25 + the question's own height + 25 — 80 on two lines, 99 on
              three, which is what the file's Pas variants measure
     open     the same plate grown by 25 + the answer
     note     25 under the last row
     button   25 under the note, centred

   The plate is on the row, not on the question and the answer separately, so
   an open row is one surface with the answer 25 under the question. No
   chevron: unlike the desktop set, `Discovery_S6_Card_m` draws none.
   ========================================================================== */

@media (max-width: 1023.98px) {

  .s-dm7__items {
    display: grid;
    gap: var(--m-gap-mid);
    margin-top: var(--m-gap);
  }

  .s-dm7__item {
    background: var(--rich-black-3);
    color: var(--content-primary);
  }

  .s-dm7__head { font: inherit; }

  .s-dm7__q {
    display: block;
    width: 100%;
    padding: var(--m-gap);
    border: 0;
    background: none;
    text-align: left;
    cursor: pointer;
  }
  /* The label has to be a block for text-box-trim to reach it: an inline box
     keeps its leading and the row comes out taller than the file draws. */
  .s-dm7__q > span { display: block; }

  /* The question's own 25 of bottom padding is the 25 between it and the
     answer, so the answer only closes the plate underneath itself. */
  .s-dm7__a { padding: 0 var(--m-gap) var(--m-gap); }
  .s-dm7__a[hidden] { display: none; }

  .s-dm7__note { margin-top: var(--m-gap); text-align: center; }
  .s-dm7__cta  { margin-top: var(--m-gap); }

}